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Areas covered include the title sequence, the use of street scenes to open up the film (a technique he learned from Marcel Carns Les enfants du paradis), the role of alcohol as a Faustian symbol, the locations, the actors and bit-part players, the period photographs he drew on to research the films look, the colour timing, the alterations made to the source novel, the principal themes, and much more

The sailor disguise, but pirate version from Dead Mans Chest This is almost the same outfit as the sailor disguise, but Elizabeth lets her hair down, dons a tricorn hat, and generally seems more at ease

The jewelry, initially made for the purple 1860s dress, is one of my favorite sets

Using two spoons, toss the dressing into crunchy romaine, garlicky croutons, and thick shaved parmesan

The weekend is beginning, and were not even halfway through